Cool-girl brand known for its plaid and patchwork pieces
The brand works with a mix of local makers and overseas manufacturers. The brand states it maintains close relationships with its Chinese partners. Smaller runs are also produced in Australia and Bali, often for limited deadstock collections.
The brand expresses a commitment to ethical practices. However, there is limited detailed public information on the supply chain. Greater transparency across the supply chain would help clarify working conditions as the brand continues to grow.
Katharina Lou’s early collections were heavily centred around deadstock fabrics. Many of the brand’s patchwork designs also reflect this approach. Which helps reduce textile waste. As the brand expands, it is moving beyond exclusively using deadstock. While it still releases collections that incorporate these materials, there is less clarity on what proportion of current production continues to rely on deadstock versus newly sourced fabrics.
Production is done in small batches, which the brand states is intentional to reduce overproduction and excess stock, while also maintaining a level of exclusivity. Pieces are designed with longevity in mind, encouraging repeat wear, repair, and resale rather than disposal.
The brand also incorporates some lower-impact practices in its operations. Overseas manufacturers use plant-based, biodegradable garment packaging, and textile waste is donated to Upparel, an Australian recycling initiative that repurposes unwanted textiles.
While these are positive steps, more detail on fabric sourcing, supply chain, and sustainability goals would provide a clearer picture. This is especially important as the brand scales.
The brand uses some animal-derived materials, including merino wool in parts of its collection. But there is no further public information on its use of animal-derived materials.
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